BEIJING GREENTOWN SERENITY MANSION

The core concept of this case is "Eastern environment, contemporary form", tracing back to the millennium ritual system and natural philosophy of Beijing. It integrates the profound and horizontal spatial tension of Eastern charm with the balanced sense of ritual order, creating a poetic field that carries cultural memory and dialogue with contemporary aesthetics. The design takes "courtyard, corridor, courtyard, and pavilion" as the spatial framework, leveraging the charm of the ancient capital's central axis pattern, reconstructing the spirit of Eastern space with modern design language, and creating an immersive experience of movement and stillness, and the interplay of reality and virtuality. Extracting spatial hierarchy from the ritual sequence of the Palace Museum axis, reconstructing the sales flow line with the concept of "three courtyards" - the entrance screen is decorated with abstract ink and metal screens, forming the prelude to "hiding"; The empty dome in the sand table area is based on a wooden coffered ceiling, and uses stacked copper grilles to interpret the cosmology of "round sky and square earth"; The deep negotiation area uses a semi enclosed wooden screen and a micro landscape of dry mountains and rivers to return to the Eastern artistic conception of "observing the courtyard and reflecting on oneself".